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- <text id=90TT1942>
- <link 93HT0584>
- <title>
- July 23, 1990: A Natural Selection
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- July 23, 1990 The Palestinians
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 74
- A Natural Selection
- </hdr>
- <body>
- <p>By R.Z. Sheppard
- </p>
- <qt>
- <l>THE DARK ROMANCE OF DIAN FOSSEY</l>
- <l>by Harold T.P. Hayes</l>
- <l>Simon & Schuster; 351 pages; $21.95</l>
- </qt>
- <p> The late Louis Leakey, for years the dominant male in the
- field of human-fossil studies, believed that women made better
- primate researchers than men. His Exhibit A was Jane Goodall,
- whose work on chimpanzees in Tanzania has been justly
- celebrated. Exhibit B also achieved acclaim but, on balance,
- muted the generalization. In 1966 Leakey sent Dian Fossey to
- the Congo slope of the Virunga volcanic forest to study the
- habits of the mountain gorilla. Fossey convinced the eminent
- prehistorian of her resolve with only a few free-lance articles
- she had written for the Louisville Courier-Journal. Her
- previous job was as an occupational therapist in Kentucky.
- </p>
- <p> What Fossey had was determination and emotional hungers that
- drove her to extremes. She told her story in Gorillas in the
- Mist (1983), a bold mix of field observation, adventure and
- ecological tragedy. The mountain gorilla was being pushed out
- of its habitat by human population growth. Poachers were
- trapping the creatures for zoos or killing them for trophies.
- Gorilla heads made unusual hat racks. The hands could be used
- for ashtrays.
- </p>
- <p> In 1967 a civil war forced Fossey to flee the Congo for
- Rwanda, where she established Karisoke Research Centre and
- generally shunned the company of her own species. "All of you
- have a family, a marriage and kids," she told curious visitors.
- "Those gorillas are my family."
- </p>
- <p> More than most other naturalists, Fossey bonded with the
- subjects of her inquiry. When poachers killed the animals she
- had named Digit, Uncle Bert and Macho, she turned into a Rambo
- of animal rights. She beat captured poachers and terrified
- others with sham witchcraft. She shot at cattle that got too
- close to her "family's" territory.
- </p>
- <p> Not pleased with these tactics, the Rwandan government
- wanted to displace Fossey and market her research center as a
- tourist attraction. She dug in. To a journalist planning a
- visit in 1985 she wrote, "If push comes to shove, I am prepared
- to fight for my claim." Two days after Christmas, Fossey was
- hacked to death in her bed. Suspects ranged from vengeful
- poachers to an American researcher who had proclaimed his
- innocence and fled the country before a Rwandan court found him
- guilty in absentia. The judgment is questionable. Harold Hayes
- does not offer conclusive evidence about who committed the
- crime. It is enough that he has given us a picture of Fossey
- that is more complex than the ones offered in the film version
- of Gorillas in the Mist and in Farley Mowat's Woman in the
- Mists (1987). Hayes, former editor of Esquire, died last year
- of a brain tumor.
- </p>
- <p> Not surprisingly, his book portrays a loner starved for
- affection. Raised in California, Fossey was an awkward
- six-footer by the time she was 14. She loved horses and dreamed
- of working with animals, but her college science grades were
- too low to qualify her for veterinary school. Working as an
- occupational therapist proved an insufficient outlet for
- Fossey's yearnings. In 1963 she took her first trip to Africa,
- where she paired off with a strapping young Rhodesian farmer.
- An on-again-off-again engagement eventually ended, as did a
- later romance with a nature photographer. Her tempestuous
- affair with Africa endured.
- </p>
- <p> That Fossey impulsively embraced a heart of darkness is
- obvious. Yet the wild shadows in Hayes' biography are
- illuminated by what he calls a "miracle of will." Its origin
- is Fossey's desperation to escape her own loneliness. It made
- her fearless; it triggered her outrage and outbursts and was
- the source of her fierce attachments.
- </p>
- <p> A personal, somewhat awkward but elucidating note: in 1984
- Fossey wrote me that she had read my review of Gorillas in the
- Mist over the graves of Digit, Uncle Bert and Macho. "I could
- finally comprehend," she said, "that the gorilla individuals
- I had known and named over the years since 1967 might well
- become public figures, not on a rock-star scale, but renowned
- for their own worth, lamented for their loss." Postscript:
- Fossey is buried next to them.
- </p>
-
- </body>
- </article>
- </text>
-
-